Wood and Harrison have been working together with video since 1993, combining elements of performance with improvised props in a conceptually playful and engaging way.

Altars are a universal religious phenomenon. They are one of our most focused points of connection with the divine or spirit world; interfaces between ‘heaven’ and earth, between the living and the dead.

Michelle Sank is a consummate documentary photographer whose portraiture reflects a preoccupation with the human condition.

John Davies is one of Britain’s most respected landscape photographers, who has worked extensively on mainland Europe.

Karen Ingham’s latest series of lens-based work, brought together in this timely monograph, is a critical re-examination of the relationship between death, icons, the body, and photography.

“Parent’s fury as White son is ruled Black” raged a headline in the Sunday Telegraph on 10 December 1995.

Deep Blue features an iconic series of colour ‘portraits’ of a newly emerging social class - the machine.

Elisa Sighicelli was born 1968 in Turin and studied at Chelsea College of Art, Kingston University and the Slade School of Fine Art.

There is heavy irony in the familiarity of Clive Landen’s birds and animals in Familiar British Wildlife. They don’t exist in a state of natural grace, in an untroubled habitat.

Rut Blees Luxemburg was recently commissioned by the Glynn Vivian Art Gallery to create a new series of works from the city of Swansea.

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