Wood and Harrison have been working together with video since 1993, combining elements of performance with improvised props in a conceptually playful and engaging way.

Altars are a universal religious phenomenon. They are one of our most focused points of connection with the divine or spirit world; interfaces between ‘heaven’ and earth, between the living and the dead.

Michelle Sank is a consummate documentary photographer whose portraiture reflects a preoccupation with the human condition.

John Davies is one of Britain’s most respected landscape photographers, who has worked extensively on mainland Europe.

Deep Blue features an iconic series of colour ‘portraits’ of a newly emerging social class - the machine.

There is heavy irony in the familiarity of Clive Landen’s birds and animals in Familiar British Wildlife. They don’t exist in a state of natural grace, in an untroubled habitat.

Rut Blees Luxemburg was recently commissioned by the Glynn Vivian Art Gallery to create a new series of works from the city of Swansea.

Removed from the domestic environment, Sian Bonnell’s objects – jelly moulds, colanders, plates and glasses – are charged with an energy whose imaginary sources we can only guess at.

Opposing reactions and interpretations have cut a singular path for the controversial work of leading North American artist, Donigan Cumming.

Gwendraeth House brings together two series of formally very different, but complimentary, photographic works by Peter Finnemore, one of Wales’ most original and inventive artists.

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