The Welfare, Ystradgynlais

Coleg sir Gâr, Carmarthen

Cardiff School of Art & Design, Cardiff

Elysium, Swansea

GS Artists, Swansea

yMA, Pontypridd

USW Atrium, Cardiff

Oriel Sploj, Machynlleth

Ty Pawb, Wrexham

tactileBOSCH invites you to slip a fist inside the velvet glove of their archive.

The welfare state is failing with changes plaguing those reliant on it. Through photography, installation, sculpture and performance, produced in collaboration with individuals who have lived experience, populist rhetorics are visualised as new lateral ideas for socially progressive systems are examined.

Documentation of performances, exhibitions, and select works from the joint archives of the Cardiff-based arts collective tactileBOSCH and it’s infamous director, the Welsh artist, photographer, and curator Kim Fielding.

The Jerwood/Photoworks Awards offer the awardees the opportunity to make ambitious new work and significantly develop their practice at a pivotal moment in their career.

Launched in 2022, Ffocws is Ffotogallery’s annual development programme for graduates and emerging artists, consisting of mentoring and presentation of work.

This year to celebrate St. Davids Day, we are sharing the work of the brilliant women and non-binary artists and photographers from or living in Wales today through street galleries via billboards across Swansea, Newport and Cardiff. Launched as part of Ffoto Cymru 2026.

This project explores the place Bruno called home from 2013 to 2022, focusing on the everyday moments and intimate routines of the people of South Wales - details that especially stood out to him as a foreigner.

In One of the Good Ones, she presents a series of images that respond to Ffotogallery’s archive and reflect on how place, documentation, and symbolism take on different meanings under the threat of erasure and the impact of seeking asylum.

Joining up with our friends at Iris Prize, we’re thrilled to host a drinks reception to celebrate our projects over the last year for a pop-up exhibition of Siria Ferrer’s iconic commission.

Cwm Here Now is a disruption and gathering of fragmented histories, both material and imagined. Rhys invites you to familiar terrains, to question familial bonds and to reframe, and readdress the histories and hypocrisies laid in The Valleys. 

This Hayward Gallery touring exhibition, curated by Johny Pitts, emphasises the perspectives of practitioners who turn their gaze towards both their communities and outwards to the wider world, celebrating contemporary working class life, championing its diversity and beauty, whilst challenging perceptions of it.

An Incremental Demise examines the choices we face about land use today - presented through personal stories, scientific evidence, and a hopeful protest for our future.

The centrepiece of Nationhood: Memory and Hope is The Necessity of Seeing - A major new collection of constructed images by Ethiopian photographer Aïda Muluneh. Shot through her surrealist lens at iconic locations in Bradford, Belfast, Cardiff and Glasgow, Muluneh’s new work reveals the overlooked stories, forgotten histories and quiet moments that shape who we are.

How You Dey : Derived from the Nigerian Pidgin greeting meaning "How are you?". ​ How You Dey is an immersive exhibition based on a series of creative well-being sessions led by artist Abike Ogunlokun, Nelly Ating, Paskaline Maiyo, and therapist Star Moyo for SSAP.

Ffocws is part of Ffotogallery’s mission to support early-career visual artists in Wales, for those who have been through formal education, and those who have had other paths into photography.

An IWM 14-18 NOW Legacy Fund commission in partnership with Ffotogallery.

Darnau | Fragments is a major solo survey exhibition of the work of Marian Delyth, celebrating the launch of the 2024 Ffoto Cymru festival this October.

In the artist's research responding to the title of the 2024 Ffoto Cymru Festival ‘What You See Is What You Get’, the painting by Richard Wilson has become a metaphor for the question: Do we really get what we see? and how does an image speak to the truth?

The World Without Us brings together a group of artists inspiring us to look more closely at our relationship with the natural environment and the climate crisis gripping our planet.

Presented here are ongoing personal investigations by Nelly Ating, Ariella Aïsha Azoulay, Audrey Albert and Ffion Denman that consider the role galleries and institutions can play in the public dialogue and interpretation of history.

Ffocws is part of Ffotogallery’s mission to support emerging and early career artists in Wales who challenge the process, medium and application of photography.